All Albert goodwin,r.w.s Oil Paintings

1845-1932 English painter. During the early 1860s Goodwin studied with Arthur Hughes and Ford Madox Brown, who predicted that his pupil would become 'one of the greatest landscape painters of the age'. Hughes and Brown impressed on Goodwin the Pre-Raphaelite principles of high finish, vivid colour and working directly from nature that inform his early landscape style,
 
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Albert goodwin,r.w.s The Town of Spiez on Lake Thun,Switzerland (mk37) oil on canvas


The Town of Spiez on Lake Thun,Switzerland (mk37)
The Town of Spiez on Lake Thun,Switzerland (mk37)
Painting ID::  25270 		  pen and black ink,and bodycolour 9 5/8x14 3/8in
  pen and black ink,and bodycolour 9 5/8x14 3/8in

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Albert goodwin,r.w.s A Sunday Morning in Engelberg,Switzerland (mk37) oil on canvas


A Sunday Morning in Engelberg,Switzerland (mk37)
A Sunday Morning in Engelberg,Switzerland (mk37)
Painting ID::  25271 		  pen and black ink and watercolour with scratching out 10 3/8x14 5/8
  pen and black ink and watercolour with scratching out 10 3/8x14 5/8

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Albert goodwin,r.w.s Lucerne,Switzerland (mk37) oil on canvas


Lucerne,Switzerland (mk37)
Lucerne,Switzerland (mk37)
Painting ID::  25272 		  watercolour heightened with touches of white 17 3/8x11in
  watercolour heightened with touches of white 17 3/8x11in

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Albert goodwin,r.w.s The Town of Fluelen,Switzerland (mk37) oil on canvas


The Town of Fluelen,Switzerland (mk37)
The Town of Fluelen,Switzerland (mk37)
Painting ID::  25273 		  pen and black ink and watercolour heightened with scratching out on brown paper
  pen and black ink and watercolour heightened with scratching out on brown paper

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Albert goodwin,r.w.s Ponte Vecchio Florence oil on canvas


Ponte Vecchio Florence
Ponte Vecchio Florence
Painting ID::  28199 		  c 1890 watercolour 24.1 x 34.2 cm (9 1/2 x 13 1/2 in) Private collection (mk63)
  c 1890 watercolour 24.1 x 34.2 cm (9 1/2 x 13 1/2 in) Private collection (mk63)

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     Albert goodwin,r.w.s
     1845-1932 English painter. During the early 1860s Goodwin studied with Arthur Hughes and Ford Madox Brown, who predicted that his pupil would become 'one of the greatest landscape painters of the age'. Hughes and Brown impressed on Goodwin the Pre-Raphaelite principles of high finish, vivid colour and working directly from nature that inform his early landscape style,

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